John Lydon of Public Image Ltd, aka Johnny Rotten, is in trademark full-on mode riffing on his post-Sex Pistols career. Illustrated with infamous interviews and classic tracks.In this entertaining record of John-post-Johnny, Lydon demonstrates his undeniable tenacity: "I'm one of the very few people in the pop industry who will just not go away!" Director Tabbert Fiiller dramatically illustrates this by documenting the various incarnations of PiL – from their first show in 1978 (the year that Sid Vicious died) through 'Flowers of Romance' (1981) and 'This is Not a Love Song' (1983) to their 21st century reformation. Past and present band members offer their own interpretation of events. However, it's Lydon who drives the film with his punkish comments, stories of his childhood and managerial troubles, and unexpected insight into his life in the media spotlight.Actor-turned-documentarian Tabbert Fiiller doggedly charts the bad decisions, bad gigs, burnt bridges and burnt-out musicians left in PiL's wake, in addition to the highs of making incredible, often uncategorizable music and some legendary albums. – David Fear, Rolling StoneThe captivating John Lydon is the best reason to see a documentary about Public Image Ltd. that tells you more about Lydon's post-Sex Pistols band than you may want to know. – Owen Gleiberman, Variety
公共形象有限公司的约翰·莱登,又名约翰尼·罗特,在他的后性手枪职业生涯中,正处于标志性的全神贯注的模式。以臭名昭著的采访和经典轨道。在约翰·波斯特·约翰尼的这段有趣的记录展示了他无可否认的坚韧:“我是流行音乐行业中极少数不会离开的人之一!”导演塔伯特·菲勒(Tabbert Fiiller)通过记录皮尔的各种化身,戏剧性地说明了这一点——从1978年(希德·威瑟尔去世的那一年)到《浪漫之花》(1981年)和《这不是情歌》(1983年)到他们21世纪的改革。过去和现在的乐队成员提供他们自己的事件解释。然而,正是莱登用他尖酸刻薄的评论,关于他童年和管理困境的故事,以及他在媒体上对自己生活的意外洞察推动了这部电影的发展聚光灯。演员-变成了纪录片人的塔伯特·菲勒顽强地记录了皮尔身后留下的糟糕的决定、糟糕的演唱会、烧毁的桥梁和烧毁的音乐家,除了制作令人难以置信的、通常无法归类的音乐和一些传奇专辑之外。——大卫·费尔,《滚石》迷人的约翰·莱登是观看一部关于公众形象有限公司的纪录片的最佳理由,该纪录片告诉你的关于莱顿的性后手枪乐队的信息比你想知道的还要多。–Owen Gleiberman,综艺
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