830
2.0

唐伯虎之醉美人

导演:
李建兴
主演:
贾宇宸
别名:
未知
2.0
830人评分
国语
语言
2020-02-14
上映时间
未知
片长
简介:
唐府遭人陷害,唐伯虎化名广子畏来到京城,巧遇醉酒后的秋香。印度人日本人英国人为了抢夺夜光杯暗中拉拢华太师,印度人,拉哈尔企图用药物控制皇帝。这一切的阴谋最终在品酒盛会上,唐伯虎跟华伦争夺醉美人秋香时,被及时阻止……
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上映时间:12月27日
主演:李帅,刘小龙,蒋雯丽,孙志敏,朱之文
简介:华夏集团董事长李秋山回到了阔别已久山区老家看望家乡儿童和乡亲,一幕幕心灵的碰撞让他激发起对自己童年的回忆……  李秋山的妈妈是个间歇性经神病患者,爸爸在一次事故中去世,使这个原本不幸的家庭陷入了更加窘迫的境地。  秋山为了不让患病的妈妈受刺激,爸爸过世的消息一直瞒着。年仅十岁的秋山担负起家庭的重担,他在邻居三奶奶和村主任等人的帮助下为妈妈买药,劝妈妈吃药,为了给妈妈买药治病,秋山去工地捡拾钢筋,捡矿泉水瓶、易拉罐。  在长期与三奶奶的接触中,秋山了解到三爷爷牺牲前曾答应给三奶奶到泰山求块大红布做围巾,于是秋山暗自下决心:一定登上泰山给三奶奶求到做围巾的大红布!  秋山几经周折为妈妈买来好药,妈妈看到药物病情发作,坚决不吃,并且还毒打了秋山。绝望的秋山跑到爸爸坟前哭诉。秋山被村主任等人找回后,却发现妈妈又不见了,众人连忙寻找。原来,妈妈意识清醒后悔恨得想要自杀,被秋山劝住,母子二人抱头痛哭。  经乡镇两委研究,决定免除妈妈住院治疗费和秋山的学杂费。秋山的作文在征文竞赛中获得一等奖,秋山的事迹在全市传开,在社会各界和乡亲们的热心帮助下,也终于实现了他给三奶奶许下的承诺:在泰山极顶上,秋山手舞大红布高喊:“我终于登上泰山了!三奶奶,我给你求到做围巾的大红布啦……”  呼声响彻天际,响彻云端……
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693
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上映时间:12月27日
主演:福迪亚·瓦尔什-匹罗,露西·宝通,杰克·莱诺,马克·麦克肯纳,艾丹·吉伦,凯尔·布拉德利·唐纳森,凯莉·桑顿,莉迪亚·麦吉尼斯,玛丽亚·多耶·肯尼迪,康纳·汉密尔顿,卡尔·赖斯,伊安·肯尼,本·卡罗兰,波西·钱布卡,基思·麦克利恩,唐·威彻利,德斯·基奥治,基安·墨菲,玛塞拉·普伦基特,维拉·纽尔布维,托尼·多伊尔,彼得·坎皮恩
简介:故事发生在1980年代的都柏林,因为家境窘迫,十四岁的少年康纳(福迪亚·瓦尔什-匹罗 Ferdia Walsh-Peelo 饰)不得不转学来到了一所校规极为严苛死板的教会学校中就读。在那里,他惹上了横行霸道脾气古怪的巴里(伊安·肯尼 Ian Kenny 饰),可见未来的日子不会好过。  某日,康纳邂逅了名叫蕾菲娜(露西·宝通 Lucy Boynton 饰)的美丽女孩,为了吸引蕾菲娜的注意,康纳邀请她来主演自己乐队拍摄的MV,哪知道蕾菲娜欣然应允,那么问题来了,对演奏音乐几乎一窍不通的康纳,该如何在短时间内组建一支乐队呢?好在康纳拥有一群热爱音乐的朋友们,很快,一支名为“唱街”的乐队成立了。
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542
9.0
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盲目的丈夫们
9.0
上映时间:12月27日
主演:萨姆·德·格拉斯,Francelia Billington,埃里克·冯·施特罗海姆,Fay Holderness,Richard Cumming
简介:Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
542
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