To the south of the Indian metropolis of Surat in Gujarat province lies a vast industrial zone that has been growing ever since the 1960s. Director Rahul Jain filmed the grueling daily routine in just one of the many textile factories there. In the factory, man and machine seem to have fused into one being. It is dark and dank, and barely any daylight penetrates the space. The labor is heavy and mind-numbing, and the work days seem endless. We are drawn into a gloomy world where the cacophonous beat of machinery sets the rhythm of toil. Jain is as interested in the mysterious connection between worker and product (the fabrics are treated mechanically, but also with love) as he is in the degrading conditions. Each shift lasts 12 hours, for adults and children alike, and wages are extremely low. Short interviews are interspersed throughout the observational sequences, some of which are captivating in their beauty while others are painful to watch – such as when we see a boy nodding violently in his struggle to stay awake. (From IDFA official website)
在印度古吉拉特邦苏拉特的南部，有一个巨大的工业区，自20世纪60年代以来一直在发展。导演拉胡尔贾恩在那里众多的纺织厂中的一家拍摄了这一艰苦的日常生活。在工厂里，人和机器似乎融为一体。天又黑又潮湿，几乎没有阳光穿过这个空间。劳动繁重，使人头脑麻木，工作的日子似乎没完没了。我们被吸引到一个阴暗的世界里，机器的不和谐的节拍决定了劳作的节奏。Jain对工人和产品之间的神秘联系（织物经过机械处理，但也有爱）和他在堕落的环境中一样感兴趣。每班12小时，无论大人还是小孩，工资都极低。短小的采访穿插在整个观察序列中，其中一些是迷人的美丽，而另一些则是痛苦的观看-例如当我们看到一个男孩在努力保持清醒时猛烈地点头。（来自以色列国防军官方网站）
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